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S Stanfill's avatar

As chance would have it,I have been rereading LoTR of late. And I was struck by how like the way Frodo interacts with the ring is the way we interact with our cell phones and social media.

It also occurs to me that hobbits, in general, do not like to be exposed. As Tolkien explains, they can slip into the countryside. And we see this early on, when Merry talks about seeing Frodo use the Ring to hide from the S-Bs - and then says he went on to hide himself in the ‘usual fashion’. Sam, too, is unhappy and embarrassed by the gaze of Galadriel.

Part of what makes Tolkien’s writing so important is that he tackles temptation and fall straight on. The Fellowship is not a collection of plaster saints, but flawed individuals who struggle.

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Kathleen Clare Waller's avatar

What a cool series of connections, John. I often go back to Foucault’s panopticon to think of power and surveillance. I like what some filmmakers do with this visually. Your read that Tolkien moves beyond this is compelling. And I was not expecting Prince here! What a treat.

The passage from LOT you chose reminded me of something I was looking at in Moby Dick today. Just before the final hunt, in “Symphony,” Ahab tries to talk himself out of the need to get the whale and is nearly persuaded also by Ishmael (I think, or someone else) to go back to Nantucket to their families. The compulsion to continue is power, it is a desire to master the unknown, and to seek knowledge, even if that knowledge is evil. But the irony is that there may be just as much, if not more, knowledge in their home place. Anyway, much more to say there, but the passages make a nice, unexpected pairing through your frame.

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