Sitemap - 2024 - Personal Canon Formation

Gulliver's Perspectival Challenges

Back to the Body, part two

Their Lonely Betters

Shakespeare's Sister

Empathy and Ecology

Rejecting Malignant Narcissism

Literature is Inevitably Political

Human Pets and "Odious Little Vermin"

1980, part two

What Actually Is Fatherhood?

1980, part one

The Trauma of Absurdity in Brobdingnag

Fire in the Palace!

Three Superb Albums by Amazing Women for your Weekend

Gulliver's Eighteenth-Century iPhone

For the Love of a Misanthropist

Naïveté, Insanity, and the Temptations of Misanthropy

The Second Most Famous Swift

Three Weddings and a Baby

The Internal Plot, not the Marriage Plot

Jane Austen and Deep Reading

Schubert’s Late Quartets

My Favorite Albums of 2024 So Far

A Fight, A Dance, A Naked Knightley, and a Nosebleed

Schubert's Late Symphonies

Not Back to the Future, but Forward to the Past

*Emma* and the English Literature Survey

The Cruelty is the Point

Emma’s Arguments: This Won’t End Well

Do Austen and Wordsworth Speak to Each Other? A PCF Anniversary Post

Schubert, Substack, and Serendipity

The Garden of England

Emma, Love, Desire, Ambivalence

Schubert's Final Sonata

The Irrepressible Miss Bates

"Emma could not forgive her": The Reserve and Precarity of Jane Fairfax

Schubert’s Late Piano Sonatas

Charades

Two Awkward Carriage Rides Elevate the Novel Form to New Heights

Young Schubert, with corrected links

Young Schubert

Miss Smith Goes to Hartfield (with apologies to Jimmy Stewart)

Loving Emma, Despite Her Flaws (and partly because of them)

Schubert and Me: A Fateful Afternoon in Chapel Hill

Back to the Body

Jane Austen Claps Back

Gearing up for *Emma*

One Damn Song to Make Me Break Down and Cry: David Bowie’s *Young Americans*

A Rain Check on Pain: David Bowie’s *Young Americans*

David Bowie, from *Space Oddity* to *Blackstar*

One More Symphony

Éowyn

There and Back Again, for a While—Tolkien and Mortality

Tolkien’s Vision of Ecological Catastrophe and Restoration

Corruption and Redemption

Tolkienian Fate and Free Will: Mount Doom

“The Eagles are Coming!”: Despair and Hope in *The Return of the King*

Vaughan Williams Gets Angry, and We Get New Prince Tracks

Heroic Language in *The Lord of the Rings*, or Tolkienian Style, part 2

Tolkien's Homosocial Fellowship

A London Symphony

Orc-Talk: Tolkien and Ordinary Evil

Gollum and the Fragmented Self

Vaughan Williams and Angst

Tolkien and the Myth of Decline

*LOTR* Reading Challenge Check-in

The Palantír and the Panopticon

Job: A Masque for Dancing

Tolkien and Race: Yes, We Have to Talk about Orcs

Tolkien's Ents: Ecology Meets Philology

Fate and Mercy

Tolkienian Deep Time II: The Mountain, the Abyss, and the Hythe

Tolkienian Deep Time: Elves and Lothlórien

Vaughan Williams Listening Challenge 2: A Pastoral Symphony and a Stricken Peninsula

Could "The Council of Elrond" Have Been an Email?

*Lord of the Rings* Challenge Reading Schedule

Tolkienian Ecology as Living Text

Vaughan Williams Listening Challenge: A Fantasia and a Phantasy

Who the Hell Is Tom Bombadil?

Tolkienian Style

Some Tolkienian Sources and the Stack of the Week

*The Lord of the Rings* Reading Challenge

Deep Cuts of Purple: More Prince, and the Stack of the Week

Purple Rain Falls on Iceland

Listening Challenge: Beethoven’s “Eroica”

What Can the Icelandic Sagas Teach Us about Prince?

Musical Rabbit Holes for Your Exploration

What Can Prince Teach Us about the Icelandic Sagas?

The Genius of Yo-yo Ma

The Dragon, the Treasure, and Radical Empathy

Music, Ecology, and the Stack of the Week

Revenant Resoluteness

Musical Treasures and Treasury Treasures

J.R.R. Tolkien, Jane Austen, and Bruno Walter Walk into a Bar

Winter Is Coming

Wandering in the Waste Borderland

Bird-Bolts and Cannon-Bullets, No. 24

Mære Mearcstapa

Respect for Working Writers

Bird-Bolts and Cannon-Bullets XXIII

Hwæt!

The Ruin

Bird-Bolts and Cannon-Bullets XXII

Awaiting a Barbarous Burning